you’re not answering calls or texts & you’re not at your apartment
my sister is with the police
most people, the police officers say, who threaten suicide in a dramatic fashion don’t go through with it.
what i want my sister to ask the police: why are all suicides in movies dramatic then?
my brother jose has gotten up & taken over the living room tv. he’s playing the video game Fortnite
the dogs want to be walked. one’s scratching at the door. i wonder if dogs know when something bad has happened, if they can sniff whispers from the wind
what i want my sister to ask the police: how long do we have before it’s too long?
in emergencies, police officers can ping someone’s location using GPS. this only works if someone hasn’t disabled their phone
jose’s gutting another player to death with a knife, explaining, everyone runs for the guns so fast that they forget, anything’s a gun when all you’re trying to do is kill
your find-my-phone app is off & police can’t determine your precise location, but they have an approximate location—you’re within a five-mile radius
i tell jose you’re missing, that this morning you facetimed our sister & promised to kill yourself—crying that you were waste without her love—& he doesn’t stop playing or pause the game. instead, he yells at the tv: HE HIT ME? WOW. OKAY. IF I DIE, IT’S FROM A LAG.
what i want my sister to ask the police: what words can save a life?
jose’s character dies. he flings his controller away & leans back into the couch. the dogs rush him & try to crowd his face in licks. he dodges tongues & says, if she’s given up living, she’s a dumbass. fucking dumb.
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Since its inception in 2003, The Cincinnati Review has published many promising new and emerging writers as well as Pulitzer Prize winners and Guggenheim and MacArthur fellows. Poetry and prose from our pages have been selected to appear in the annual anthologies Best American Poetry, Best American Essays, New Stories from the South, Best American Short Stories, Best American Fantasy, Best American Mystery Stories, New Stories from the Midwest, and Best Creative Nonfiction.
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