Common Mistakes When Writing Dialogue (and how to avoid them)
Strong dialogue forwards plot, it demonstrates the nature of relationships, and it also (paradoxically) highlights what characters can’t or won’t say to one another.
Read MorePosted by Cincinnati Review | Feb 18, 2021 | Submission Trends and Tips
Strong dialogue forwards plot, it demonstrates the nature of relationships, and it also (paradoxically) highlights what characters can’t or won’t say to one another.
Read MorePosted by Cincinnati Review | Feb 3, 2021 | miCRo
The speaker of Dev Murphy’s hybrid piece “The Hoard” uses the words of literary figures to examine and reexamine love and desire, creating a hoard within the text itself, which she reshapes throughout the piece.
Read MorePosted by Cincinnati Review | Jan 13, 2021 | miCRo
In this twist on a creation myth, R. Cross’s “A Young Woman Made Up of Dirt” explores self-definition and womanhood through the speaker’s musings on her formation and destruction.
Read MorePosted by Cincinnati Review | Dec 1, 2020 | Reading and Drinking
We here at The Cincinnati Review are thrilled to showcase an exciting new collaboration with Reading and Drinking: A Cocktail Blog!
Read MorePosted by Cincinnati Review | Nov 18, 2020 | miCRo
By pairing repetition and lists as the narrative moves through time, Sindu forms a striking portrait of a mother-daughter relationship complicated by generational differences.
Read MorePosted by Cincinnati Review | Nov 12, 2020 | Editors' Dispatches
In the spirit of the season, we here at CR thought it might be nice (and cathartic) to pause, take a deep breath, and reflect on some of the best writing advice we are thankful to have received.
Read MorePosted by Cincinnati Review | Oct 22, 2020 | Why We Like It
I’m resistant to making generalizations about genres. I’m of the general opinion that poetry and fiction use the same ingredients, just with wildly different doses.
Read MorePosted by Cincinnati Review | Oct 21, 2020 | miCRo
Shruti Swamy’s “In Blue” captures a sense of shifting identity at the core of new motherhood.
Read MorePosted by Cincinnati Review | Oct 15, 2020 | Why We Like It
Poetry gives me the shivers in part because it carves out new spaces to inhabit, however briefly, and this allows readers to see the world as something new.
Read MorePosted by Cincinnati Review | Sep 30, 2020 | miCRo
Carl Lavigne’s story “The Walking River” is a wonderfully unsettling portrayal of the natural world gone topsy-turvy.
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