Don Bogen: With its score for alto flute, bass clarinet, viola, cello, piano, percussion, and soprano, David Clay Mettens’s setting of Mary Kaiser’s “He Dreams a Mother” in our Summer 2016 issue (just released) is one of the most intricate and haunting pieces in our series of art songs. It’s also the first for which we have a video of the premiere. “Hypnotic” is a word the composer uses several times in the score, and it certainly fits what happened on stage this past April. To watch, click here.
Be sure to check out the subtle performance by All of the Above, with soprano Jilian McGreen and all those varied instruments bringing out the calm yet deeply strange vision in Mary’s poem. The ending is particularly striking. Thanks and congratulations go to the composer, the poet, and the ensemble.
The poem and full score are in the issue. You can find the other four settings we’ve commissioned to date in the art-song category of the blog.
Enjoy!