miCRo: “Girl 1994: Gawd.” by Faylita Hicks
Faylita Hicks Associate Editor Caitlin Doyle: “Girl 1994: Gawd.” by Faylita Hicks combines narrative tension with a kinetic command of diction. As Hicks’s forward-driving couplets propel us down the page, the speaker’s awe toward “Gawd” imbues her with a kind of...
![miCRo: “[It is undone business I speak of, this morning]” by Alexandra Teague](https://www.cincinnatireview.com/wp-content/uploads/2019/01/Teague-400x250.jpg)
miCRo: “[It is undone business I speak of, this morning]” by Alexandra Teague
Associate Editor Caitlin Doyle: Alexandra Teague’s “[It is undone business I speak of, this morning]” asks us to confront the all-too-narrow distance between safety and danger in our daily lives. In her examination of the “ordinary spells against gravity” that keep...
miCRo: “The Flipping Years” by Kent Kosack
Assistant Editor Jess Jelsma Masterton: When working in the micro form, writers often struggle to distill a single scene or experience into a 500-word-or-less narrative. How does one establish a beginning, middle, and end while also including the backstory or...
miCRo: “Invocation” by Miriam Bird Greenberg
[Editors' note: This post will be our final miCRo for this calendar year. See you in January 2019!] Associate Editor Caitlin Doyle: In “Invocation,” Miriam Bird Greenberg invites us to consider language’s sonic sorcery as both a portal to and extension of the...
miCRo: “The Club of the Missing” by Jen Michalski
Associate Editor Molly Reid: In Jen Michalski's lyrical poem-story, precise language delivers a fragmented, image-driven narrative that mines the space both on the page and surrounding the missing: "False starts: a wallet in the weeds, corpse-like shadows in...
miCRo: “City Magic” by Julie C. Day
Assistant Editor Jess Jelsma Masterton: When reading through miCRo submissions, I always find myself drawn to stories that blur boundaries; boundaries of form, genre, time—you name it! In "City Magic," Julie C. Day introduces us to a protagonist who straddles...
miCRo: “The Griefbearer” by Chris Haven
Associate Editor Molly Reid: Chris Haven's "The Griefbearer" is a fable for our time. The premise is enticing: someone to experience our loss for us. Who wouldn't want to escape the pain of grief, to be able to hoist it onto another person? Who wouldn't want...
miCRo: “Your Future” by Vanessa Cuti
Associate Editor Molly Reid: In Vanessa Cuti's "Your Future," she provokes the reader to fill in the white space around the narrator's dinner with a prior acquaintance. Familiar in its outline, vivid in its detail—"[The toothpicks] were bent and wet, and the...
miCRo: “Metaphor” by Nicky Beer
Associate Editor Caitlin Doyle: In "Metaphor," just as the poem's speaker pushes her body to its furthest reaches through intensive exercise, the poet probes the limitations of language. Nicky Beer spurs us to consider how our bodies and our words, depending on...
miCRo: “Any Body” by Sarah Freligh
Assistant Editor Jess Jelsma Masterton: Many writers shy away from the second-person perspective. Some literary journals go so far as to caution writers against submitting stories written in second person, suggesting that the point of view is somehow gimmicky...
miCRo: “Portrait as Landscape: Not the Fox” by Simone Muench and Jackie K. White
Associate Editor Caitlin Doyle: Our first cowritten poem for the miCRo series hails from two authors who are no strangers to pairing up on the page. As part of the editorial team behind They Said, a recently released multigenre anthology of contemporary collaborative...
miCRo: “Demolished” and “Crumbs” by Nicole Rivas
Assistant Editor Jess Jelsma Masterton: As a genre, micro fiction attempts to do the impossible: establish a protagonist with a clear conflict, all within a tiny, less than 500-word frame. The author must find a way to show the reader what is physically or...
