Category: On Craft
Narrative Tension in Fiction
Posted by Kate Jayroe | Feb 7, 2025 | On Craft | 0
“Violence or Voice? Why Erasure Poetry”...
Posted by Cincinnati Review | Jan 31, 2025 | On Craft | 0
On Craft: Rebecca Bernard on Plotting Character
Posted by Cincinnati Review | Dec 20, 2024 | From our Contributors, On Craft | 0
Fiction Craft and Film
Posted by Kate Jayroe | Nov 22, 2024 | On Craft | 0
From Our Contributors: The Button Box
by Lisa Ampleman | Mar 14, 2025 | From our Contributors, On Craft | 0
Contributor Cristi Donoso on encouraging her son’s creativity through an art cart and button box.
Read MoreReading Between the Pages
Assistant Editor Andy Sia on reading surfaces and reading as an embodied act.
Read MoreNarrative Tension in Fiction
by Kate Jayroe | Feb 7, 2025 | On Craft | 0
The more I consider craft, the more I think we’re studying how to identify and harness wondrous paradoxes of creativity.
Read More“Violence or Voice? Why Erasure Poetry” by Arah Ko
by Cincinnati Review | Jan 31, 2025 | On Craft | 0
Editorial Assistant Arah Ko on the ethics and craft of erasure poetry.
Read MoreOn Craft: Rebecca Bernard on Plotting Character
by Cincinnati Review | Dec 20, 2024 | From our Contributors, On Craft | 0
A craft exercise about how to understand character through plot and vice versa
Read MoreFiction Craft and Film
by Kate Jayroe | Nov 22, 2024 | On Craft | 0
Image courtesy of Jeremy Yap via Unsplash Assistant Editor Kate Jayroe: Imagine that you’re...
Read MoreCraft Musings on Beginnings and More, from Our Editors
by Cincinnati Review | Sep 6, 2024 | Editors' Dispatches, On Craft | 0
Three of our editors on the craft of beginnings and more
Read MoreHawks and Walkaways: How Nature Can Aid Revision
by Cincinnati Review | Apr 5, 2024 | From our Contributors, On Craft | 0
“Not everyone will walk away from a computer into the vast outdoors and find help from a hawk. But over time, these ‘focused walkaways,’ which were first unexpected distractions, have become a scheduled part of my practice, my discipline.”
Read MoreGetting Away with It: Epistolary Fiction
by Lily Davenport | Sep 22, 2023 | On Craft | 0
The epistolary toolkit is a rich and varied one—it insists on the reader’s interpretive participation, and offers powerful methods for developing character and setting and for playing with the progression of time. So: what, supposedly, is wrong with it?
Read MorePoetry in Fiction Workshop: Everything Is the Same, Everything Is Not the Same
by Cincinnati Review | Aug 10, 2023 | On Craft | 0
Summer Assistant Editor Rome Hernández Morgan explores the ways poets can learn from the craft of fiction.
Read MoreAre You Gonna Go My Way? The Inclusiveness of Second Person
by Cincinnati Review | Feb 16, 2023 | From our Contributors, On Craft | 0
What makes second-person narration so compelling? What makes it so polarizing? In this essay, Jen Michalski reflects on the magnetic pull of “you.”
Read MoreElliston Poet-in-Residence Spotlight: Brian Teare
by Cincinnati Review | Feb 9, 2023 | On Craft | 0
We reflect on Elliston Poet-in-Residence Brian Teare’s vivid call for “poetry as fieldwork.”
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