Sea Moss Spotlight: In Dialogue
I would spend hours crunched up in a knot at my dorm-room desk, sweating in terror over what seemed like laughably basic, but also insurmountable, problems.
Read MorePosted by Lily Davenport | Nov 12, 2024 | Sea Moss Spotlight
I would spend hours crunched up in a knot at my dorm-room desk, sweating in terror over what seemed like laughably basic, but also insurmountable, problems.
Read MorePosted by Lily Davenport | Oct 24, 2024 | Sea Moss Spotlight
The Chicago Manual of Style is a living document, but its life is a slow and sessile one, more on the timescale of a tree or a small coral reef than of a human being.
Read MorePosted by Lily Davenport | Apr 12, 2024 | Sea Moss Spotlight
What did the hyphen do to deserve this isolation? does it harbor a contagious illness, like some typographic Typhoid Mary?
Read MorePosted by Lily Davenport | Feb 22, 2024 | SFF Settings I'd Vacation In
In The Vanished Birds, Simon Jiminez offers the tour of a lifetime, though whether that lifetime lasts fifty years or a thousand depends on which traveler you ask.
Read MorePosted by Lily Davenport | Nov 3, 2023 | SFF Settings I'd Vacation In
Break out your cashmere robes and your thickest skeleton-knitted gloves and socks, and don’t forget to accessorize for your chapel tour with a string of locally sourced prayer bones.
Read MorePosted by Lily Davenport | Sep 22, 2023 | On Craft
The epistolary toolkit is a rich and varied one—it insists on the reader’s interpretive participation, and offers powerful methods for developing character and setting and for playing with the progression of time. So: what, supposedly, is wrong with it?
Read More