miCRo: “Lifeboat” by Janika Oza
All three sections of Janika Oza’s “Lifeboat” revolve around food—as sustenance, as survival, as a way to connect to a lost country.
Read MorePosted by Cincinnati Review | Jan 15, 2020 | miCRo
All three sections of Janika Oza’s “Lifeboat” revolve around food—as sustenance, as survival, as a way to connect to a lost country.
Read MorePosted by Cincinnati Review | Jan 13, 2020 | Literary News
Congratulations to these four pieces we chose to nominate for the Best Small Fictions anthology, which seeks “flash and micro fiction, haibun stories and prose poems published in 2019”:
Read MorePosted by Cincinnati Review | Jan 9, 2020 | Why We Like It
Nancy Chen Long’s poem “Reverberation” fights back against silence and erasure. The poem’s title points toward the resonance of sound, and this is exactly what Chen Long’s words do: even in stillness the music of her language ripples across the page.
Read MorePosted by Cincinnati Review | Jan 9, 2020 | Samples
At home working on a client’s website—an archive of Yiddish memories—I look up in time to see a...
Read MorePosted by Cincinnati Review | Dec 16, 2019 | Deals and Promotions
Half off all subscriptions through December 19!
Read MorePosted by Cincinnati Review | Dec 12, 2019 | Why We Like It
In the opening lines of Samyak Shertok’s “Operation Rhododendron,” everyday objects transform into makeshift weapons for role-playing scenes of war.
Read MorePosted by Cincinnati Review | Dec 11, 2019 | miCRo
Through an explosion of the idiom “empty nest” and a vocabulary that swings from tender to profane, Stuber asks: how can a mother survive knowing what the daughter must survive?
Read MorePosted by Cincinnati Review | Dec 4, 2019 | miCRo
This microfiction upturns the gentle mother cliché and shows instead a mother whose decision to set fire and kill is an act of compassion.
Read MorePosted by Cincinnati Review | Dec 3, 2019 | Literary News
Check out our nominations for the Pushcart Prize Anthology and Best Microfiction!
Read MorePosted by Cincinnati Review | Nov 27, 2019 | miCRo
Mark Wagenaar’s piece, “Seventeen Fouettés,” brilliantly shows us how violence juxtaposed with art and poetic language can infuse even the saddest of situations with hope.
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