miCRo: “Scales” by Ulrica Hume
In this layered space, we’re reminded of the slipperiness of loss and how jazz—as entertainment, as art—can intensify and ease the experience of grief.
Read MorePosted by Cincinnati Review | Sep 23, 2020 | miCRo
In this layered space, we’re reminded of the slipperiness of loss and how jazz—as entertainment, as art—can intensify and ease the experience of grief.
Read MorePosted by Cincinnati Review | Sep 17, 2020 | Literary News
We’re so excited to announce our nominations for this year’s Orison and Best of the Net Anthologies!
Read MorePosted by Cincinnati Review | Sep 16, 2020 | miCRo
This piece considers what makes us up and what it means to be a “whole self,” especially in the midst of motherhood.
Read MorePosted by Cincinnati Review | Sep 10, 2020 | On Craft
“I’m not going to talk about ways to succeed in poetry—not how to craft a perfect line or please your reader or even excite the staff at a literary journal. Instead, I’m going to briefly talk about a poetics of failure.”
Read MorePosted by Cincinnati Review | Sep 9, 2020 | miCRo
In the magical world Sellers describes, we are reminded of the transitory and beautiful nature of being.
Read MorePosted by Cincinnati Review | Sep 3, 2020 | Submission Trends and Tips
The beauty of first-person narration lies in its complexity.
Read MorePosted by Cincinnati Review | Sep 2, 2020 | miCRo
W. Todd Kaneko’s “White Hot Star” paints a richly layered portrait of masculine inheritance.
Read MorePosted by Cincinnati Review | Aug 31, 2020 | Editors' Dispatches
Our submission period for the print journal starts on September 1! But pay attention: it’ll end earlier, on January 1, 2021.
Read MorePosted by Cincinnati Review | Aug 27, 2020 | Editors' Dispatches
We wanted to introduce or reintroduce ourselves to you here at the start of the year. Here are some good news and goings-on from our staff (we’re writers too!).
Read MorePosted by Cincinnati Review | Aug 26, 2020 | miCRo
In Jin Su Joo’s “Have You Eaten Rice” we learn about several key relationships in the speaker’s life through the lens of rice.
Read More