miCRo: “In Blue” by Shruti Swamy
Shruti Swamy’s “In Blue” captures a sense of shifting identity at the core of new motherhood.
Read MorePosted by Cincinnati Review | Oct 21, 2020 | miCRo
Shruti Swamy’s “In Blue” captures a sense of shifting identity at the core of new motherhood.
Read MorePosted by Cincinnati Review | Oct 15, 2020 | Why We Like It
Poetry gives me the shivers in part because it carves out new spaces to inhabit, however briefly, and this allows readers to see the world as something new.
Read MorePosted by Cincinnati Review | Oct 14, 2020 | Samples
Every six minutes another word is dropped from the lexicon. Who says there’s no use anymore for...
Read MorePosted by Cincinnati Review | Oct 14, 2020 | Samples
The velvet ant is not velvet, not ant. It is a wasp, grooved with sting. If scooped into the...
Read MorePosted by Cincinnati Review | Oct 14, 2020 | miCRo
Danni Quintos’s “Milkfish” begins with the simplicity of a mother’s pregnancy craving for milkfish.
Read MorePosted by Cincinnati Review | Oct 8, 2020 | Submission Trends and Tips
You can find online resources on formatting your submission, what to write in a cover letter, and tips on submission strategies, but not as much on how to create a user-friendly submission spreadsheet. Read more for tips and perspectives from CR staff and former contributors!
Read MorePosted by Cincinnati Review | Oct 7, 2020 | miCRo
In vivid, tumbling language, this essay asks us to consider new angles—what it means to look up, to be looked down at, to navigate a world built for someone else’s eye level.
Read MorePosted by Cincinnati Review | Oct 2, 2020 | Contests
Announcing the winners of the Twelfth Annual Robert and Adele Schiff Awards!
Read MorePosted by Cincinnati Review | Sep 30, 2020 | miCRo
Carl Lavigne’s story “The Walking River” is a wonderfully unsettling portrayal of the natural world gone topsy-turvy.
Read MorePosted by Cincinnati Review | Sep 24, 2020 | Submission Trends and Tips
Setting isn’t just a stage upon which our characters walk; it is part of the bones of the story itself.
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