Nominations for Pushcart, Best Microfiction, Best Small Fictions
We’re thrilled to share our nominations for this year’s Pushcart Prize Anthology, Best Microfiction, and Best Small Fictions.
Read MorePosted by Cincinnati Review | Nov 24, 2020 | Literary News
We’re thrilled to share our nominations for this year’s Pushcart Prize Anthology, Best Microfiction, and Best Small Fictions.
Read MorePosted by Cincinnati Review | Nov 19, 2020 | Special Features
In “Master’s Mirror,” Steinorth reminds us that the purpose of erasure poetry isn’t to erase, but the opposite—it is to reveal what has already been obscured.
Read MorePosted by Cincinnati Review | Nov 18, 2020 | miCRo
By pairing repetition and lists as the narrative moves through time, Sindu forms a striking portrait of a mother-daughter relationship complicated by generational differences.
Read MorePosted by Cincinnati Review | Nov 12, 2020 | Editors' Dispatches
In the spirit of the season, we here at CR thought it might be nice (and cathartic) to pause, take a deep breath, and reflect on some of the best writing advice we are thankful to have received.
Read MorePosted by Cincinnati Review | Nov 11, 2020 | miCRo
At the beginning of “boysenberry marmalade,” the nine-year-old narrator tells us about his Tía Nora’s new “atomic guts.”
Read MorePosted by Cincinnati Review | Oct 28, 2020 | miCRo
In “White People Parenting,” the observing speaker slowly realizes she is also being observed. … “Meanwhile, the baby stares at me—no, it’s staring at Noodles-Alfalfa woman, who is in turn watching me watch them.”
Read MorePosted by Cincinnati Review | Oct 27, 2020 | Interviews
An interview with Felicia Zamora. “Photography and poetry help me question human behavior in very distinct and unique ways; they both have lenses that swivel simultaneously outward and inward.”
Read MorePosted by Cincinnati Review | Oct 26, 2020 | Interviews
An interview with Aditi Machado. “I tend to think I became a more interesting writer after, and while, translating Farid Tali’s Prosopopoeia. There’s something about sinking into someone else’s—a different language’s—syntax and sonics that reorients your relationship to your chosen writing language(s).”
Read MorePosted by Cincinnati Review | Oct 22, 2020 | Why We Like It
I’m resistant to making generalizations about genres. I’m of the general opinion that poetry and fiction use the same ingredients, just with wildly different doses.
Read MorePosted by Cincinnati Review | Oct 21, 2020 | Samples
The Father, Deceased He appears in a hospital hallway. On the front porch of her home in Phoenix,...
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