miCRo: “During the Cretaceous Our Country Was Divided for Sixty Million Years” by Martha Silano
In an era of political division, this imaginative poem by Martha Silano details a literal division of the US back in the Cretaceous period.
Read MorePosted by Cincinnati Review | Jun 8, 2022 | miCRo
In an era of political division, this imaginative poem by Martha Silano details a literal division of the US back in the Cretaceous period.
Read MorePosted by Cincinnati Review | Jun 1, 2022 | miCRo
In the prose poem “34D,” Dorothy Chan uses a number and a letter to conjure up particular images that the poem both mentions and undercuts, in a statement about the poetics of sex.
Read MorePosted by Cincinnati Review | May 26, 2022 | Submission Trends and Tips
Our top 3 tips for impressing lit mags by following through on withdrawals, email correspondence, and submission guidelines.
Read MorePosted by Cincinnati Review | May 19, 2022 | Literary News
Congratulations to our contributors Aleyna Rentz and Wendy Cheng, whose work has been chosen for...
Read MorePosted by Cincinnati Review | May 18, 2022 | miCRo
Arthur Kayzakian’s compact ekphrastic prose poem “Anna Walinska” navigates big-picture questions of art and consumption.
Read MorePosted by Cincinnati Review | May 11, 2022 | miCRo
Two essays that grapple with the place of women in history, specifically an enslaved Native ancestor and a prehistoric “greatest grandmother.”
Read MorePosted by Cincinnati Review | May 10, 2022 | Interviews
Marcus Jackson shares how poetry and photography intersect for him and tells the story behind one of the photographs in our issue.
Read MorePosted by Cincinnati Review | May 4, 2022 | miCRo
Natalie Yap’s story “Santa Maria” asks us to consider the unconventional ways we let go of life and each other.
Read MorePosted by Cincinnati Review | May 3, 2022 | Editors' Dispatches
Jerald Walker will serve as our guest literary nonfiction editor for the 2022–23 academic year!
Read MorePosted by Cincinnati Review | Apr 27, 2022 | miCRo
In two pieces that feature mothers with dementia, Beth Ann Fennelly shows us again why her work is central to contemporary enthusiasm for the form of the microessay.
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