Locating the Heart in True Crime: A Craft Essay, by Aimée Baker
We are pleased to share this craft essay by Aimée Baker on writing crime-inspired poetry and...
Read MorePosted by Cincinnati Review | Aug 30, 2022 | Samples
We are pleased to share this craft essay by Aimée Baker on writing crime-inspired poetry and...
Read MorePosted by Cincinnati Review | Aug 30, 2022 | Samples
We are pleased to share this craft essay by Frankie Y. Bailey on writing crime fiction, which...
Read MorePosted by Cincinnati Review | Aug 30, 2022 | Samples
We are pleased to share this review by Tod Goldberg about Elmore Leonard’s rules for writing...
Read MorePosted by Cincinnati Review | Aug 30, 2022 | Samples
We are pleased to share this review by Destiny O. Birdsong about an episode of Fatal Attraction,...
Read MorePosted by Cincinnati Review | Aug 30, 2022 | Samples
We are pleased to share the entire review feature from Issue 19.1 on the ethics and craft of crime...
Read MorePosted by Cincinnati Review | Aug 24, 2022 | Editors' Dispatches
Here are some key takeaways from our audience survey earlier this month.
Read MorePosted by Cincinnati Review | Aug 10, 2022 | Deals and Promotions
We’re conducting a survey about your reading habits to help us plan—and raffling off a $50 bookstore gift card and three subscriptions!
Read MorePosted by Cincinnati Review | Aug 2, 2022 | Writers' Day Jobs
Poet and essayist Sean Thomas Dougherty describes his night job as a medical technician and life-skills trainer at a facility for those with traumatic brain injuries.
Read MorePosted by Cincinnati Review | Jul 27, 2022 | miCRo
Matt Del Busto’s stunning poems take up age-old questions about how the past shapes us.
Read MorePosted by Cincinnati Review | Jul 20, 2022 | miCRo
Michelle Menting’s lyric microessay “Of Precipice” moves with the vibrations of haiku, tanka, epigrams, and other short and imagistic poems
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