We are honored to share and celebrate our nominations for this year’s Pushcart Prize Anthology, Best Microfiction, Nina Riggs Poetry Award, PEN/Robert J. Dau Award, and Best Spiritual Literature.
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Identities shift, and first impressions rule in Scott Garson’s “Okay.”
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Floods and dustbowls, hopes and fears, climate fiction has it all—and isn’t going anywhere.
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In ten lines of simple, declarative verse, Vincent Frontero offers a dizzying meditation on transience, fragility, appearances, and resolve.
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What can romance teach us about the space between “improbable” and “impossible”?
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King helps us ride the wave of grief to the shore, where it breaks over us, then retreats before it comes again.
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A story by Kevin McIlvoy, who died in September, introduced by Sebastian Matthews.
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How do you navigate loss, upside down and a hundred feet in the air?
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Leslie Lindsay chats with CR contributor Su Cho about her debut poetry collection, The Symmetry of Fish. Juxtaposing Korean and English, ocean and prairie, parent and child, Cho’s poetry, like water, takes an unpredictable path.
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How do we choose a poem’s final, resounding lines?
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