excerpt from “Vines” by O Thiam Chin
Peng Soon had knocked the glass of vodka and lime out of Paul’s hand at Taboo the first time they...
Read MorePosted by Cincinnati Review | May 26, 2023 | Samples
Peng Soon had knocked the glass of vodka and lime out of Paul’s hand at Taboo the first time they...
Read MorePosted by Cincinnati Review | May 24, 2023 | miCRo
Marcus Donaldson’s poem is akin to the song that you stop everything to dance to when it comes on in the club.
Read MorePosted by Cincinnati Review | May 23, 2023 | Special Features
This one-act play is a relentless excavation of gun violence through the language of sympathy cards, a children’s song, and raw statistics.
Read MorePosted by Cincinnati Review | May 17, 2023 | miCRo
This prose poem name-drops brands in a way that seems to extol consumer spending—until a final turn.
Read MorePosted by Cincinnati Review | May 12, 2023 | Literary News
We’re hiring for a new position, assistant managing editor!
Read MorePosted by Cincinnati Review | May 11, 2023 | Interviews, Pas de Deux
Authors of two recent story collections interview each other about genre decisions, the surprises and delights of publication, and how they define success.
Read MorePosted by Cincinnati Review | May 10, 2023 | miCRo
In this story told in the imperative second-person point of view, reading is literally ingesting words and images.
Read MorePosted by Cincinnati Review | May 4, 2023 | Writers' Day Jobs
Poet and physician Jenna Le on what radiology and poetry have in common.
Read MorePosted by Cincinnati Review | May 3, 2023 | miCRo
This poem from KB Brookins’s forthcoming collection bridges the genres of love poem and political poem.
Read MorePosted by Cincinnati Review | Apr 26, 2023 | miCRo
Stefanie Kirby’s extended exploration of the uterus complicates our sense of a part of the body often linked just to reproduction.
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