“Meditation with Grass Fire and Tumbleweed” by Kate Partridge
It will be better, our friend said, to just accept that everythingis gone—as though...
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Author: Cincinnati Review
miCRo: “Next Stop, Beijing” by Aiden Heung
There’s a feeling of inevitability about trains—a stubbornness in the way a train moves along its track without deviation.
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miCRo: “Or Better Yet” by Melissa Llanes Brownlee
In “Or Better Yet,” Llanes Brownlee captures the whirlwind of color and sound of a bustling family gathering.
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miCRo: “My Landlord and I” by Michael Hugh Stewart
In this darkly comic hybrid piece, Michael Hugh Stewart charts an escalating feud over eviction and erasure.
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A Kinetic Digital Play: Lucid Dreaming by David Greig
As a kickoff to our twentieth anniversary activities, we’ve produced a digital version of David Greig’s play *Lucid Dreaming.*
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miCRo: “Remission” by Sara Dudo
An incantatory poem with rich images from the natural world and a deft hand with syntactical ambiguity.
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Full Feature: Craft reviews of “unreasonably good” writing
We are pleased to share the entire special feature from Issue 20.1 with craft reviews of...
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Breaking the Fourth Wall and Intimacy in Fleabag, by Jay Franklin
In Issue 20.1, we present a craft review feature celebrating the art of extraordinary writing. The...
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The Paradise of Danez Smith’s “summer, somewhere,” by Philip Metres
In Issue 20.1, we present a craft review feature celebrating the art of extraordinary writing. The...
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“Then My Eyes Got Hungry”: On Diane Seuss’s “Memory Fed Me until It Didn’t,” by Emilia Phillips
In Issue 20.1, we present a craft review feature celebrating the art of extraordinary writing. The...
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