Special Feature: “I Love You to Mars” by Chloe N. Clark
This story about travel to Mars features gritty descriptions (literally) and a narrative technique that embraces simultaneity of experiences.
Read MorePosted by Cincinnati Review | Mar 7, 2024 | Special Features
This story about travel to Mars features gritty descriptions (literally) and a narrative technique that embraces simultaneity of experiences.
Read MorePosted by Cincinnati Review | Mar 6, 2024 | miCRo
Are the stories that we tell about objects, and the quests for those stories, more important than the objects, themselves? In “Story of a Breath” one object’s history is perfectly encapsulated—and forever inaccessible.
Read MorePosted by Cincinnati Review | Feb 28, 2024 | miCRo
This poem expands the vocabulary of war writing with its stunning breadth of images.
Read MorePosted by Cincinnati Review | Feb 21, 2024 | miCRo
Joel Long’s flash nonfiction piece “The Mint and the Bees” meditates on the crucial interdependence between pollinator and flower.
Read MorePosted by Cincinnati Review | Feb 16, 2024 | Review
Daniella Toosie-Watson reviews Willie Lee Kinard III’s ORDERS OF SERVICE.
Read MorePosted by Cincinnati Review | Feb 14, 2024 | miCRo
Don’t let the ghosts take your names, Ba said over the hiss of the wok harmonizing with the ghosts. Don’t let them steal your spirits.
Read MorePosted by Cincinnati Review | Feb 5, 2024 | Events
As AWP 2024 approaches, we’re packing our bags for Kansas City. We hope to see you at the Bookfair and two offsite readings!
Read MorePosted by Cincinnati Review | Feb 1, 2024 | Special Features
In this graphic essay, Kelcey Ervick explores the legacy of Cincinnati poet and patron of the arts George Elliston.
Read MorePosted by Cincinnati Review | Feb 1, 2024 | Deals and Promotions
We’re delighted to unveil our 2024 AWP swag, featuring a one-of-a-kind design by Kelcey Ervick, author of THE KEEPER.
Read MorePosted by Cincinnati Review | Jan 31, 2024 | miCRo
In “Lighthouse,” work is inextricably linked to place: a place to which the speaker is a newcomer, with no ties to bind them to the landscape.
Read More