excerpt from “Yacare Caiman (Little Reptiles #7)” by Doug Dorst
. . . It started on a Monday. That much you remember clearly. The Old Man was due back from his...
Read MorePosted by Cincinnati Review | Dec 7, 2022 | Samples
. . . It started on a Monday. That much you remember clearly. The Old Man was due back from his...
Read MorePosted by Cincinnati Review | Dec 7, 2022 | Interviews
An interview with our Issue 19.1 artist, Galina Shevchenko.
Read MorePosted by Cincinnati Review | Dec 2, 2022 | Editors' Dispatches
Starting in 2023, we’re changing some of our prices to align with industry standards and account for increased costs in printing.
Read MorePosted by Cincinnati Review | Dec 1, 2022 | Literary News
We are honored to share and celebrate our nominations for this year’s Pushcart Prize Anthology, Best Microfiction, Nina Riggs Poetry Award, PEN/Robert J. Dau Award, and Best Spiritual Literature.
Read MorePosted by Cincinnati Review | Nov 30, 2022 | miCRo
Identities shift, and first impressions rule in Scott Garson’s “Okay.”
Read MorePosted by Cincinnati Review | Nov 21, 2022 | What We're Reading
Floods and dustbowls, hopes and fears, climate fiction has it all—and isn’t going anywhere.
Read MorePosted by Cincinnati Review | Nov 16, 2022 | miCRo
In ten lines of simple, declarative verse, Vincent Frontero offers a dizzying meditation on transience, fragility, appearances, and resolve.
Read MorePosted by Cincinnati Review | Nov 15, 2022 | On Craft
What can romance teach us about the space between “improbable” and “impossible”?
Read MorePosted by Cincinnati Review | Nov 9, 2022 | miCRo
King helps us ride the wave of grief to the shore, where it breaks over us, then retreats before it comes again.
Read MorePosted by Cincinnati Review | Nov 3, 2022 | Special Features
A story by Kevin McIlvoy, who died in September, introduced by Sebastian Matthews.
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